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撕裂屋
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<p>Desperate for cash, five young friends enter a creepy murder house for a $25K dark web contest, only to end up in a brutal fight for their lives against a 7-foot-tall religious maniac with a..
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血月初现
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<p>A young waitress is abducted by a religious cult, who are hell-bent on curing her from a sexually transmitted werewolf virus - or killing her in the process. Will she escape before the first..
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美国血汗工厂
2025 0.0分 恐怖片
<p>A look at the toll of social media through the eyes of Daisy Moriarty, who while dealing with a chaotic personal life, finds herself sucked into the underbelly of the internet.</p>
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睡着即死
2024 0.0分 恐怖片
内详  /
<p>  Phi Am是一种恶毒又诡异的超自然灵体,深植于泰国民间传说和神话当中,并被认为是一名遭受悲惨和不公正死亡的女性复仇之魂。在泰国,小时候的姗玩了禁忌的通灵游戏,不仅失去母亲,也成为姗的童年创伤,让她持续被恶灵缠身。她因此向姐姐贝儿和灵媒蒙寻求帮助以打破诅咒。几年后,贝儿的室友阿琳因为儿子车祸过世而陷入痛苦,更时常感受到不明灵体的凝视。在贝儿的引荐下,她也找上了蒙,并发现这一..
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小鹿斑比:清算
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<p>夏娜和她的儿子本吉乘车前往奶奶家过感恩节,却在途中遭遇斑比袭击,侥幸活下来的母子并没有就此逃过一劫,而是成为斑比的猎杀目标。因人类的自私而从小就痛失母亲的斑比,在经历了一场骇人的变异后,化身复仇魔鹿,在森林中展开了一场关乎生死的清算猎杀。</p>
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沙漠阴影
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<p>  父亲去世后,两兄弟决定踏上狩猎之旅,以拉近彼此的距离,但没想到的是,他们在沙漠中从猎人变成了猎物…</p>
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《我有毒》剧情介绍

zllzsj提供影视作品我有毒高清全集在线观看的影视全集网,恐怖片《我有毒》全集作品的导演是Daniel de la Vega  Pablo Parés   ,由Esteban Prol  Horacio Fontova  Sergio Podelei  Gastón Cocchiarale  Fini Bocchino  Verónica Intile  Goyo Escardó  Demián Salomón  Rodrigo Ferreyra  主演,我有毒在豆瓣的评分为0.0,本片由小编于2025-02-26 23:13更新,希望大家喜欢,可以把《我有毒》推荐给你朋友,本作品的地址为 https://zllzsj.com/movie/index67747.html

《我有毒》简介:<p>  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).<br/>  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.</p>